Creative Work
In addition to my professional pursuits, I am also a former literary critic, a published poet, and an amateur watercolor artist. Explore some of my personal projects below.
Faces of Extinction
The sixth great extinction is underway: We’re losing species about 100 times more rapidly than historic “natural” rates. Some experts think the current rate is as much as 1,000 to 10,000 faster. These modern extinctions affect humanity and our ability to live comfortably and happily on earth, challenging food production, protection from the elements, tourism, health, and much more. But the extinctions are also sad—silly faces we will not see, flowers we will not smell, wild calls we will not hear.
The species below—with more to come—represent extinction today. For each species, I have included an original pen-and-watercolor image based on available photos, videos, and artworks. The placeholder symbol ⧖ is known as the extinction symbol, signifying the Earth and our limited time to address this crisis.
Literary Criticism and Interviews
INTERVIEW
Scientist as Diplomat: Five Questions for Dr. Alex Dehgan
In The Snow Leopard Project, a biologist shares tales of conserving wildlife in the midst of political instability.
BOOK REVIEW
On Immunity: An Inoculation by Eula Biss
“If vaccination can be conscripted into acts of war, it can still be instrumental in works of love.”
INTERVIEW
Among the Whales: Five Questions for Dr. Nicholas D. Pyenson
In Spying on Whales, a marine paleobiologist explores Earth’s largest creatures—and their perilous future.
INTERVIEW
Marilynne Robinson interview: 'The life of literature is mysterious'
In Lila, the Pulitzer Prize–winning novelist returns to Gilead and again stuns readers with her quiet brilliance.
BOOK REVIEW
Station Eleven by Emily St. John Mandel
There is such glory in humanity, in what we continue to create and in what we are capable of sustaining.
INTERVIEW
David Duchovny on writing his debut novel, Holy Cow
The actor and sometimes literary scholar turned his idea for a kids’ film into one brilliant, irreverent book